Archive for the ‘Anatomy’ Category


Facial Accessories

March 2, 2014

Here’s a couple recent favorites. My Space 55 pals Dennis and BJ, from a play reading not too long ago. I love these guys, and their faces…

People with glasses, mustaches, scars, hats, tattoos, piercings, pockmarks, hairlips snagleteeth, and any other “facial accessories” always make fun and interesting subjects.

Especially mustaches and glasses.


The more stuff you have on your face, the more reference points I have to work with, which makes drawing a little easier. Plus all those extra details add character. I will sketch everyone else in the room before I bother with some boring PYT.


Life Drawing Class

February 15, 2013

lifedrawing class


Life Drawing Gallery

October 27, 2011

A couple months ago I inventoried all my old artwork, threw out about 90% and photographed what remained. I thought I would post a few of those old drawings here because, well…I am a little behind on scanning my sketchbook. And also I really miss the college days, so why not take a trip down memory lane.

These drawings are all from around 1999-2001 (I think).

This drawing here is a quick five minute gesture drawing. We always did a few two or five minute gesture drawings at the beginning of class to get warmed up. I remember one guy once compared them to practicing scales on the piano. I usually just threw them away when I was done, but I couldn’t part with this one. I was really proud of it then and I still am now. I wish the drawings I did these days had that kind of line quality.

Here is another fairly quick drawing. This one probably took ten or twenty minutes. I wish I had done a little more work on the chair.

Here is a longer drawing. Black and white conte on toned paper. This one probably took about 2 hours. I remember the night I did this drawing. I was really proud of it at the time. Back then I was pretty obsessed with life drawing, but I was also really struggling with it. I was okay, but I had some really gifted friends that just put me to shame (and still do). At one point I was taking 6-9 hours of life drawing per day and rarely cranked out anything I liked. The night I did this one I felt like I was finally starting to get it. Incidentally I don’t really like this one so much anymore. Terrible line quality, and the hair sucks. I still can’t draw hair to save my life.

In this drawing we were told to make a box of some sort on the page and do a drawing that focuses on composition. So I went with the good ol’ triangle. I love triangles. Also, I always loved drawing the female models from the side when they had their arm up. The shadows would always fall in an interesting and beautiful way that was fun to draw.

Ah, here we have the elusive male model. In art school the ratio of female to male models was about five to one, and even when we did have a male model it was often a somewhat skeezy older guy. So on the rare occasion when we  actually had youngish male model it was pretty great. I remember that the checkerboard way in which the light was falling on this guy made for a fun but very challenging drawing.

Here is another female from the side with a raised arm. I could draw these all day. I’m not sure if I intentionally focused on the arm and head and let the rest gesture out on purpose, or if I just ran out of time and tried to pass it off as intentional.

Another black and white conte on toned paper. Not much to comment on this one except that I love the triangle shape that is created by the jaw line and underside of the chin when people tilt their head back in that way.

Here is another one of the same model. I think this one took me three hours. My teacher Jerry was big on creating shadow with marks. Hatching, cross-hatching, whatever. Mark making was very important. Only pansies create shadow by blending.



July 14, 2011

Here is the sketchbook that I’ve been using lately. The covers are flimsy and don’t provide that support that I need, so I collaged things onto them in order to make them a little sturdier. On the front I have some pictures I saved from an old Futurama calendar.

The inside of the front has some random postcards from art shows, along with a sticker from Phantom Ranch to remind me that this is the sketchbook that I lugged down into and back out of the Grand Canyon.

On the inside of the back cover I attached a pocket so that I can keep postcards and other random papers. It is always handy to have a couple postcards around in case you want to draw something and you have no interest in drawing your surroundings. (Better artists than me would draw things from their imagination)

The photo of the old man sculpture is from a catalogue of an exhibit we had at the library a month or two ago. Sketches from that exhibit can be seen here:

On the back cover I pasted a large postcard that I got from the Bodyworlds exhibit a while back. The art anatomy reminds me of the life drawing books I studied in college. I had to add the Disneyland sticker to remind me that I’ve got drawings from my last Disneyland visit in here too.


Viewer Discretion Advised

June 6, 2011

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I did these sketches at the Body Worlds exhibit, which is actually the perfect place to bring a sketchbook because Life Drawing is all about studying the construction of the body and learning the bones and muscles and all that.

I remember reading about how renaissance artists would try to learn more about human anatomy in order to better render the figure. The book The Agony and the Ecstasy talked about how Michelangelo tried so hard to get his hands on a cadaver so that he could study it, and how difficult that was because back then they weren’t all that cool about cutting up dead bodies.

We’ve got it so easy nowadays.


Art History Showdown: Venus vs. Venus

April 20, 2011

I think it’s finally time we address the question we’ve been asking ourselves ever since that first semester of Art History: Who would win in a fight between the Venus of Willendorf and the Venus di Milo?

At first glance it seems like the Venus of Willendorf would be the obvious winner, being that she has the build of a sumo wrestler and the Venus di Milo doesn’t have any arms.

But wait! The Venus of Willendorf doesn’t appear to have any arms either. Or any eyes for that matter. And she’s only 4 inches tall!

My money is on the Venus di Milo.